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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
boredbarbara
1graphicaday: “ April 4, 2014 ”
1graphicaday

April 4, 2014

Source: 1graphicaday

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migrains
8dy: “ Sincerely Yours, “Sincerely Yours, is a graphic design exhibition by nine designers who had recently completed their MA Graphic Design course at the London College of Communication. The exhibition showcases a body of work from a group of...
8dy

Sincerely Yours,

"Sincerely Yours, is a graphic design exhibition by nine designers who had recently completed their MA Graphic Design course at the London College of Communication.  The exhibition showcases a body of work from a group of diverse individuals who have approached the design practice in an investigatory and research-based method. The projects presented deal with contemporary issues that range from the social and political to the personal and cultural. The 9 participating designers took part in the making of the visual identity and the various communication applications of the show.


project by:Marwan Kaabour

suspiciousmilk
thedsgnblog

Everyday Thoughts On Everyday Things by Rachel Denti

“Series of illustrations for a zine inspired on thoughts that come to my mind, most of the times out of nowhere or for no particular reason, on a daily basis.”

Rachel Denti is a graphic designer originally from Brazil, but currently residing in Den Haag, Netherlands. She is focused on graphic design, illustration, painting and drawing.

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Source: behance.net
touchedbythehandofgod1987
seeselfblack

Emory Douglas worked as the Minister of Culture for the Black Panther Party from 1967 until the Party disbanded in the 1980s. His graphic art was featured in most issues of the newspaper The Black Panther (which had a peak circulation of 139,000 per week in 1970)[1] and has become an iconic representation of the struggles of the Party during the 1960s and 70s. The San Francisco Chronicle reported that Douglas “branded the militant-chic Panther image decades before the concept became commonplace. He used the newspaper’s popularity to incite the disenfranchised to action, portraying the poor with genuine empathy, not as victims but as outraged, unapologetic and ready for a fight.”[2]

As a teenager, Douglas was incarcerated at the Youth Training School in Ontario, California; during his time there he worked in the prison’s printing shop. He later studied commercial art at San Francisco City College.

Also see:

– Emory Douglas

–  Video: Emory Douglas and the art of the Black Panther Party

Source: seeselfblack
autohaste

I absolutely love the premise. I love the fact that [Emma Stone’s character] said ‘I am going to write a story from the maids’ perspective of what it feels like to work with these white women’. Operative term meaning the maids’ perspective. I don’t feel like it was from our perspective, that’s the problem I had with it. I had it from the very beginning.

The anger, the vitriol, and the hatred that they would have towards these white women if they were asked, if they were put in a situation where they were isolated, would have been vocalized. You didn’t see none of that!

That’s the issue I have with a lot of our stories. By the time … it makes it to the screen, the truth is so filtered down, and then it’s given to you to make you feel very comfortable. It’s not our job to make you feel comfortable, it really isn’t. If you feel comfortable, then that is your journey, and your cross to bear. That is the beauty of art, the beauty of art is that we throw it to you, you receive it, and if you shift in some way, [then] we’ve done our job.

Viola Davis critiquing “The Help” (via zerosuit)
I love her so much
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